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Sousaphones, Super Fly, and 7/8: Brass Menažeri’s Bumping Brass Party Grooves from Bosnia to Bollywood

Brass Menažeri
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Bosnian gems mingle with Bollywood bangles, while Rromani (Gypsy) hits mix with super-fly funk. Thanks to dreamed melodies and down-and-dirty bass lines, Brass Menažeri has been packing Mission bars with a heady mix of Balkan perfection and Bay Area eccentricity, of serious chops and serious joy, for years.

Now on Vranjski San¸ the brass band with attitude breaks out a fresh vision of how hip Balkan brass can be, while maintaining a rare depth of cultural knowledge. The group puts a new polish on favorite songs from Rromani, Greek, and Slavic masters, while shining light on unexpected sides of Balkan culture: the love of Bollywood, the funky production esthetics, the constant hunger for new sounds to try in old forms.

“We like to lay it down,” smiles Peter Jaques, Brass Menažeri director, clarinetist, and horn player. “We bring in elements of rock and funk, but subsume them into the tradition, something parallel to what’s going on in places like Serbia. They aren’t sticking to the sounds of the 1960s. They bring in whatever they hear as new color for their palettes.”

Witness “Opa Cupa Fly,” a funkified take on a classic by the popular Rromani singer and accordionist Šaban Bajramovi?. After years of playing their brass band arrangement of the song—and starting a minor “Opa Cupa” craze among belly dancers—the band was seriously sick of their big hit. So they reimagined the track, throwing in a heavy Earth, Wind, and Fire-style backbeat and inviting friends from the Afrobeat group Aphrodesia to leap in. The result was “a funk remix of the song, with a nod to Super Fly,” Jaques explains.

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